Day Four - The Haunted World of El Superbeasto

    I was never a fan of Rob Zombie's music, but I have been an enthusiastic champion of his film work even when it has been less than ideal. House of 1000 Corpses was a flawed but fun mash-up of influences that left many cold. I defended House and eagerly awaited his next effort. The wait was worth it. In 2005 Zombie unspooled The Devil's Rejects, a sequel to House that stands on its own as the film that most captures the mood of seventies mi...